1999
Installation, Rena Bransten Gallery, San Francisco, CA
(US)
Vacuum-formed suburban zoning map system, six unique
tiles, each 45x45cm
A hand-designed, mass-produced,
vacuum-formed plastic urban zoning relief map. Derived
from actual Northern California zoning maps, the layout of
any sized overall plan is composed of six basic
inter-connecting 45x45cm square tiles. The overall design
varies according to predictability and chance. Unlimited
edition (displayed in groups of 9, 18, 36, 72).
Anytown is a neat swipe at land use planning and a comic
remembrance of minimal sculpture. Smith has made 18-inch
squares of pale yellow plastic embossed with low relief
that denotes snaking streets and chockablock housing
units. The plastic plaques come in six distinct patterns
worked out so well that, placed edge to edge, they connect
in any configuration. Their array can extend indefinitely
in all directions. The town-planning vision Anytown
evokes is a nightmare of deadening redundancy, not unlike
what we see in parts of San Francisco. Besides being an
anti-utopian vision of suburban growth, Anytown
reflects wryly on the square plate floor sculptures of
Carl Andre, classics of minimalism. It recalls Andre's
famous statement that "my idea of a piece of sculpture is
a road." In their reductive logic, Andre's floor pieces
were intended to be critical of how the world is arranged.
Smith's Anytown hints that by revising Andre's works
as relief sculpture it uncovers the world order implicit
in minimalism. (Kenneth Baker)
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